Jung’s RED BOOK: Using Mandalas to Ground Your Awareness

 sivuch313-120813-timo2

Today I want to discuss Jung’s RED BOOK (or, Liber Novus; 2009) as an example of how to use Totemic Representation to ground and illuminate your personal growth and development.

For a series of evenings starting from November 23 – December 25, 1913, just before the outbreak of WWI,then continuing for 16 years off and on after that, Carl G. Jung, founder of Depth, or Analytical, Psychology and the primary pioneer in the field of archetypal research, undertook an adventurous odyssey; he dived into the netherworlds of his own unconscious depths, and he returned to integrate his dreamlike encounters with the denizens of his unconscious domains within his conscious awareness. Using a form of contemplative practice that he termed “active imagination,” Jung sank willingly into a dreamlike awareness in order to encounter aspects and personae of his own Psyche that he would refer to as Archetypes.

lake-121013-bkst-3371

 To Jung, Archetypes exist in a “collective unconscious” dimension; that is, similar archetypal images or forms are found all over the world and often appear in myths and dreams in similar ways and with similar meanings, although the individual appearance of an archetype might have very individual, personal form and specific cultural relevance. Jung identified several collective archetypes in his active imagination scenarios: an Anima (feminine aspect of a man’s Psyche), Shadow forms, and a Mage sort of figure represented in Jung’s experiences as a philosophical guide or guru figure, Philemon. He also experienced many fairly idiosynchratic figures related to his personal relationships and to his academic, religious, and literary background studies.

Religious stained glass windows

Some of Jung’s archetypal encounters lasted for several nights at a time, weaving a meaningful story.  Every night after his active imagination session, Jung recorded what he had experienced—including dialogue that had occurred with his archetypal figures—in a special journal he called his Red Book. He would sometimes paint some of the content of his experience in the Red Book, too. Every time a storyline had revealed its full significance to Jung, when he came out of his reveries that night he painted a special artistic image to represent his understanding of that archetypal encounter in the form of a circular Mandala (see link).

sivuch1235-120813-timo3

A Mandala is a universal sort of artistic image, created in a Circular form within what might be a 4-corner outer frame and with a center image around which the rest of the picture aligns. Tibetan monks and Navajo Indian healers alike use Mandalas in healing and centering rituals. Mandalas represent Balance and the organized coherence and integration of what might otherwise be considered disjoint or even chaotic elements or forces. To Jung, his Red Book mandalas represented the “integration” of archetypal energies within his own Psyche or Soul as he came into greater understanding of their presence and significance.  This process of integrating archetypal energy forms is crucial within Jung’s broader psychological theory of Individuation which he developed more completely after completing his Red Book ‘Descent’ and reemergence.

Jung’s Red Book mandalas—which I can link to only indirectly here so as not to infringe on copyrights—are an excellent form of totemic representation. They served to literally ILLUMINATE the shadowy unconscious forms that might appear in Carl Jung’s dreams and reveries. The process of arranging these archetypal images in Mandala forms revealed the deeper significance of these forms to Jung; it represented the integrationof their MEANINGS within Jung’s holistic understanding of his own Psyche or Self.

Gate to Heaven Fantasy Background

I certainly recommend reading Jung’s Red Book (there is a new Readers’ Edition available that makes this precious gem more accessible and affordable). Even more,I encourage you to engage in an ‘active imagination’ exploration of your own archetypal depths. In Life Paths–also in the next year of this blog that will begin in a couple of weeks from now— I’ll be offering an Archetype Dialogue process to help you discover aspects of your own unconscious archetypal influences that can be thought of as your own ensemble cast of archetypal Ally characters.

For now, though, I invite you to create a MANDALA to represent your LIFE DREAM. Place an image that represents your GOAL ACHIEVED (how you will feel or what your life will be like when you have fully integrated your Life Dream into your daily reality) in the center of a blank page. Around this Life Dream image, place other images or words and phrases to represent significant aspects of this Dream or representing the steps you can take to manifest your Life Dream.  You can refer to last week’s “Yellow Brick Road” and “Your Next Step” blog posts to find or develop material to use in filling out your totemic Life Dream Mandala image.

 diwali_11000829-1013int-011314int

I welcome your Mandala image or comments!

Meet & Greet Your Archetype Cast of Characters

easter island

In Life Paths I will introduce you to an approach to working with your situational Archetypes–based on the twelve universal archetype figures–that can help you get to know yourself better. Archetypal psychology often recommends some form of “archetype dialogue” practice, yet usually this is very immediate, tapping into archetypal impulses a person recognizes in relation to a specific situation or during a specific moment of reflection or repose during a therapeutic session or a meditative practice. Without giving too much ‘away’ in this blog space—especially since the full context of the Life Paths approach is needed in order to utilize the approach to its best advantage as a self-help process—I will invite you to a processual form of Archetype Dialogue Practice that utilizes your own Life Theme-based, or situational, archetypes.

The mussel

Archetypal impulses are always present beneath the surface of your conscious attitudes and perceptions. And everyone has archetypal impulses or an archetypal architecture of unconscious dimensions of the personality.  How can you recognize some of these? Just slow down, quiet the conscious mental stream of consciousness for a bit, and Listen! What subtle attitudes would express themselves if you allowed yourself to give voice to them? Remember, you may ASK! Inquire of your unconscious sub-selves, “What Are You About?” “How do YOU feel about an issue or a decision?” “What do you wish I/we would DO?”

mujer3-1113fg-v-3001

Carl G. Jung understood Archetypes of the Unconscious (e.g. see his book of that title) better than most people, because he allowed himself to make contact in a direct way with his own unconscious personae. His posthumously published THE RED BOOK (2009) is a transcript of Jung’s own journal chronicling his intentional Journey into the depths of his own unconscious domains. For an initial consecutive series of 19 evenings (and continuing on and off for 16 years thereafter) Jung practiced a gentle form of ACTIVE IMAGINATION, a form of meditative, active contemplation, to “sink” into his own unconscious, imaginative realms in order to explore the otherwise ‘buried’ internal spaces and persons of his Psyche. I have read THE RED BOOK (except for the original German), and I recommend it highly! As Sonu Shamdasani, the editor of The Red Book notes, Jung encouraged his therapeutic clients and friends to compose their own ‘red books’: their own Journals in which they would record encounters with their archetypal denizens of the unconscious, through dreams and active imagination.

freshicon_325

Let me offer a basic approach to beginning a form of archetype dialogue. First review your Life Themes. These are the KINDS of events or situations represented by your set of Significant Life Events or shaping events. An earlier post allows you to reconstruct these (use this site’s Search engine for Life Themes), or simply make a list now of some of the most significant shaping events of your life, events that have “shaped the person you have become.” After composing your list, review the events and SORT each event into a category of KINDS of shaping events. These categories are your LIFE THEMES, recurring kinds of events and situations that weave through your life and make of your life a dramatic story!

ancient-background-21-012714-swa-48

 

Now then, reflect on your set of LIFE THEMES (e.g. Work, Romance, Spirituality, Travel, etcetera) in relation to the ARCHETYPAL TWELVE presented below (see Friday, 8/15/14 post for discussion):

ELDER LEADER   ARTIST  TEACHER

LOVER   IDEALIST  COMMUNICATOR

WARRIOR  GOLDEN CHILD HEALER

NURTURER  DESCENDER  MYSTIC

For now, just by using the descriptive character names of these twelve archetypal figures (tables of traits will be presented in Life Paths), try to associate at least one ARCHETYPE with each of your Life Themes. For example, a Romance theme might be associated with a LOVER archetype, or a Family theme might relate to NURTURER or ELDER LEADER. Each archetype could pertain to masculine or feminine traits and could be in either a positive or Strength mode, or in a negative, Shadow mode.

background12-012714-swa-14

Once you have identified ARCHETYPES with your own set of recurring LIFE THEMES, try starting an imaginative dialogue with one or more of these Archetype figures. Start with active imagination if you can; close your eyes, center yourself in a quiet space, and envision one or more of these Archetypes as if they are characters that inhabit your unconscious. Start a conversation. When you come out of your reverie, write down what you can of the conversation, or simply generate the dialogue as you compose it directly in your journal.

3d-open-book-illustration-1013tm-pic-29

Let your initial exploration of archetypal impulses through archetype dialogue journaling be of a light, general form. Just start by getting to know these parts of self; aspects of your Self that show up in your SOCIAL ROLES that are activated as you experience recurring LIFE THEME events or situations. Simply visit with and/or invite your unconscious archetypal characters to dialogue!

Here is a hypothetical sample:

L:  I invite my archetypes to introduce yourselves to me and to each other. Who is there?

A: You can do it, Linda!

L: Who is this?

A: You might call me NURTURER. I support you; don’t give up!

L: Sometimes, honestly, I almost think I should.

B: Stay true to your Mission. Get yourself out of the Way.

L: Mystic?

B: Okay, if you like. …Remember, this is what you are here to do, there is no turning back. Remember you have the Response-ABILITY to Realize your Dreams, not just for Getting By.

L: Thanks for the reminder. I need ALL of your support. Speak up whenever you feel you want to or need to.

 abstractgirl_110001853-1013int-011314int

To Readers: I have been using this form of Archetype Dialogue already for several years. I find it a very natural and helpful way to “Tune In” to my own unconscious attitudes and perspectives that I might otherwise ignore or “bury”. This is a simple imaginative technique anyone can use. These perspectives are not OTHER than or OUTSIDE from yourself. They ARE You, just different dimensions or facets OF your personality structure. So these are not outside “entities” or “demons” you are inviting; if by any means something very “other” seems to manifest itself, by all means end your session and close your journal! Indeed some of these inner aspects might have some negative feelings or attitudes to express; welcome this in order to hear and understand those feelings, but be clear from when you start your dialogue that the dialogue field is a SAFE SPACE. If you like, you can begin by calling on your own positive Spiritual Guides to maintain a protective inner environment. If you are currently engaged in a psychiatric or therapeutic treatment program, I recommend for you to share this with your analyst or therapist before proceeding.

Anubis

If you like you can artistically represent any archetypal encounters or insights or perspectives you gain from this imaginative practice. Jung used artistic creations, especially Mandalas, to represent his archetypal experiences. (You can see some of these at the Amazon site linked to for THE RED BOOK, above). After every session of active imagination, Jung painted something about the experience to represent the purpose or meaning of that archetypal experience in his life.

old-cave-art-1113tm-bkgd-317

******   ******

So, Enjoy!

I welcome your queries, insights, and any results that you may wish to share!