A Better Ending for the TEACHER Archetype: Mr. Holland’s Opus

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Welcome to our third yearly cycle of Better Endings for Your Life Path! This month’s Sagittarian related Universal Archetype is the TEACHER.  So for this week I offer a “Better Ending” revision of a popular story involving the TEACHER Archetype. And I know right where to go: Mr. Holland’s Opus. This is a popular film that I have always ‘loved to hate,’ precisely because of its ending! This is the tale of a gifted high school music teacher who sacrifices much with respect to his own possible career as a composer by dedicating so much to his teaching. He has a symphony composition he works on for decades, but it is never ‘finished’ enough for him to submit for professional success.  The movie script celebrates that at his retirement–and somewhat like the fable “It’s a Wonderful Life”—many of Mr. Holland’s former students show up to honor his positive influence on their lives, and, his student orchestra plays his unfinished symphony for the first time.

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This sounds so positive and heartwarming, so why do I “love to hate” this story?  Well, I am a Teacher! I hate that the likeable but often frustrated Mr. Holland has to sacrifice his deep passion and talent for being a composer for the sake of teaching and inspiring his students.  Yes, of course it is a good thing that he has encouraged and fostered his students’ success in their lives, but it need not have been at his own expense or sacrifice. His completing the composition and sharing it professionally with the world, possibly launching him into a wider public field of musical contribution, would also inspire his students!

So, here’s my application of the Principle of Better Endings to the storyline of “Mr. Holland’s Opus”; er, let’s call that instead, Dr. Holland’s Symphony!    

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Glenn Holland accepted a job teaching music at JFK High School after earning his MA in Music at Columbia University, in order to earn a living and support his family while he worked on his major musical opus, a symphony he had nurtured ever since his own high school piano teacher and mentor, Francis Scelsa, had taken his class to a Metropolitan symphony event and asked him to close his eyes and “see” the music rather than using only his ears.

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Glenn found teaching music at high school disappointing at first; it seemed hardly any of his students appreciated music in the way he felt they could. Over the years he dedicated himself to becoming a better Teacher, one who could inspire a dedicated passion in his students, and over time, more and more of those under his tutelage did find their own love of music and the arts, though most went on to other pursuits after graduating.

Glenn never gave up on his dream of completing his symphony, music that haunted him and called him to the piano every summer break and Winter intercession. One  summer, after a huge success with bringing the JFK High School orchestra to perform at a national competition at Ohio State University, Glenn heard from within what his own inner Teacher compelled him to do; he rented a cabin in the Chautauqua Lake region in New York for two full months. Glenn’s wife and son were supportive; Wendy was also a teacher and was directing a summer school program that summer, and their son Cole had left for college the previous year but he would spend the summer at home helping his mother.

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Glenn immersed in his symphony for two full, glorious months of his personal composing retreat. He felt like Gustav Mahler, with his cabin on the lake, and often he would take long walks along the shoreline or row out onto the lake in a small rowboat to greet the sunrise before resuming his work of love at the piano.

Glenn was deeply affected by a statement a colleague of his had recently shared at his retirement from teaching:  “Life is what happens to you while you’re busy making other plans” (See Ehttp://www.imdb.com/title/tt0113862/plotsummary?ref_=tt_stry_pl).   At 52 himself already, Glenn knew in his heart of hearts that it did not have to be that way; he could yet indeed fulfill his inner calling.

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And so it came about that around 12 noon, July 12, a few days after a wonderful Fourth of July season at the Chautauqua Institution where their own world famous Symphony performance of Mahler’s Symphony No. 5 had brought Glenn to uncontrollable tears, he did it: his “Monarch Symphony” was complete! In Glenn’s elation, he called a member of the Chautauqua symphony whom he had befriended over the summer: Paul Williamson, who played violin there every summer but also taught high school music in Pennsylvania during the academic year.  When Paul read Glenn’s symphony and heard Glenn play its overture on the piano, he was struck with its eloquent simplicity.

      “What will you be doing with this? Where will you publish it?”

      “I’ll start sending it out around to music agencies next month, but I just wanted to share this with someone!”

To Glenn’s surprise, Paul asked for a copy of the composition—which Glenn gave readily as he knew he could trust this man—and Paul showed it to the Director/composer of the Chautauqua Symphony herself, Sheilah Parnes, who loved it immediately. Near the end of the Chautauqua season the symphony always performs a new composition, and oddly this year Sheilah had not yet committed to any of the few scores she had been reviewing.  She put Glenn Holland’s “Monarch Symphony”—named after Monarch butterflies—onto the program schedule and August 20th, the Chautauqua Symphony played and recorded the world premiere performance of the Holland Monarch Symphony.

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Glenn’s symphony was a huge success. He sold it that very September to a major music agency, and he realized finally that his talent was no chimera; as if he had opened a door to a new world of possibility, he developed several more compositions and began a new symphony. Glenn also received letters of reference from his Chautauqua colleagues and, in what he might have felt was his “eleventh hour,” Glenn received an invitation with a full scholarship from Julliard to earn his doctorate in Composing.

Glenn Holland quit his job at JFK High School that December.  At a closing assembly in his honor, Glenn expressed his gratitude for all that he had gained from teaching through the years, and many of his former students expressed not only their gratitude for his teaching but also they spilled over in their speeches about the “new hope” he had brought to each of their hearts by his perseverance and success.

The evening of that assembly, at a gala community event at the local performing arts center, the JFK High School Orchestra, under Glenn Holland’s heartful conducting for the last time, played the Monarch Symphony, Symphony No. 1 of the later Dr. Holland’s repertoire which grew to seven symphonic masterpieces over the next twenty-five years.

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I welcome your Comments and invite you to write your OWN Better Ending to a story involving the Teacher Archetype this month!

Mine Your Vein of Gold

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Life is a Golden Opportunity! And engaging in Descent can help you discover the vein of gold that could lead you to fulfill many of those opportunities. So consider how you might descend into this golden reservoir to mine your own golden nature.

I invite you to an active imagination self-discovery Tool; let us call this:

“Mining Your Vein of Gold”

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Imagine you enter a mine shaft that has your name etched roughly into a wooden plank over the door.  There is a mine cart on rails; you climb onto the cart and press down on the iron lever that propels the cart forward along the rails. Down and up, down and up, you pump the lever and pick up speed. The cart rounds a corner and descends DOWNWARD into the deep recesses of the mine shaft. Coasting now, as you look around see the veins of gold shining brightly as you pass, as yet untapped yet full of deep potential.

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As you reach the deepest level of your mine, the cart slows as it levels, and you apply the brake. You are in a large cavern, lit by blue fluorescent lights mounted near the ceilings. In this light you see a wide band of gold shining along the east wall. There is a pail and a pickaxe hanging on an iron peg in the wall you are near. Take this to the Vein of Gold and you can chip into the rock just above the vein to loosen some of the gold and then slice into the gold, letting a nice segment drop into your pail. You can take this back to the cart and pump the mine cart to return to the surface. You can wash the gold from your pail at a water pump near the shaft entrance.

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Now then, you can sit on a boulder to inspect the gold you have retrieved from your own vein of gold. Ask yourself or your inner guidance:

What part of my Self does this Gold represent?

What can you use this precious quality to attain in your life; how can you best utilize your Treasure?

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images from pixabay.com

I welcome your insights and stories.

 

 

 

 

 

Jabberwocky: A Poem of Descent

 

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When I was in high school, for an art class I chose the theme of the Jabberwock for an assignment using pointillism.  I composed a black-and-white pointillist image of a dragonlike creature matching Lewis Carroll’s description in the famous Jabberwocky poem.

As it took me several weeks to accomplish the image, I had time to reflect on the meaning of this poem. To me it is about the Outcast or  Outsider or Otherness itself: the Jabberwock “monster,” who had the misfortune of being regarded as a shadowy fiend by ignorant humans who had moved in to its own “tulgey wood.” Then also from the human perspective, there is a futility represented here: the futility of battling Jabberwocks is like that of Don Quixote tilting at windmills; there will always be yet another monstrous creature around the bend, if that is what you set out to encounter in your Descent! And yet, how might your Jabberwock be enlisted as a Friend, an Ally? Then may you tame, rather than slay, your “dragons”!

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Jabberwocky

BY LEWIS CARROLL (http://www.poetryfoundation.org/poem/171647)

’Twas brillig, and the slithy toves

      Did gyre and gimble in the wabe:

All mimsy were the borogoves,

      And the mome raths outgrabe.

“Beware the Jabberwock, my son!

      The jaws that bite, the claws that catch!

Beware the Jubjub bird, and shun

      The frumious Bandersnatch!”

He took his vorpal sword in hand;

      Long time the manxome foe he sought—

So rested he by the Tumtum tree

      And stood awhile in thought.

And, as in uffish thought he stood,

      The Jabberwock, with eyes of flame,

Came whiffling through the tulgey wood,

      And burbled as it came!

One, two! One, two! And through and through

      The vorpal blade went snicker-snack!

He left it dead, and with its head

      He went galumphing back.

“And hast thou slain the Jabberwock?

      Come to my arms, my beamish boy!

O frabjous day! Callooh! Callay!”

      He chortled in his joy.

’Twas brillig, and the slithy toves

      Did gyre and gimble in the wabe:

All mimsy were the borogoves,

      And the mome raths outgrabe.

Source: The Random House Book of Poetry for Children (1983)

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images from pixabay.com

Surviving the Storms of Winter

 

All: I was going to just put in a quote today (will in a few days, that of Lewis Carroll’s Jabberwocky poem). But today is a snow day in Colorado Springs, and it has called forth a memory for me to share:

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As I sit at home on a snow day from teaching, I am reminded of the many storms I have encountered and survived in this life.  I realize there is a principle here of survival that we develop every time we successfully negotiate “stormy weather,” whether that be of the climatology type of storm or situational storms in our work or relationship life, or even the stormy nature of world affairs.

So as a metaphorical story of confronting the stormy weather of life, allow me to recount one experience, from many years ago. This happened around 1978 during a road trip with my fencing team. We fenced several teams at an intercollegiate tournament in New Jersey at Fairleigh Dickenson University and then our coach, Roxanne, gathered the team and our equipment into our university van to begin the 8-10 hour journey home to Buffalo, New York; but we knew from the beginning we would be facing the onslaught of a major blizzard along the way.

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There were six of us fencers plus Roxanne, our coach; she was the designated driver of our van. We had a hearty breakfast in New Jersey then set out to travel interstate highways for the bulk of our trip. The storm started early in our voyage, such a blizzard that we were in “white out” conditions by the first two hours of our adventure. Around four hours along, we still could not see as far ahead as the vehicle whose tailgates we were trying to follow in order to stay on the highway. Then, we heard a pop and felt the uneven lurch forward of the van; we had a flat tire!

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Coach Roxy pulled over as far as she could off the highway to avoid being hit by snow blinded drivers. We found a red tee-shirt and tied it to our radio antennae on the car and another red piece of scarf we tied to the rear to signal our state of distress. Coach tried to get us to a next service station, first by letting the van limp forward very slowly, but after about 45 minutes of this we realized we were only incurring more damage to the vehicle, so she pulled over further again and we stopped.

While we were stopped along the shoulder, a vehicle pulled up from behind. Two helpful African American men offered to help us. Two of my teammates decided they would ride with these men to the next service area and send back help. They departed.  After about another hour, another vehicle pulled up and a middle-aged man and his wife offered their assistance. Two more of our team members went off with them; it was too much of a blizzard to try to change the tire ourselves so we needed one of these two groups to send back help. Worried about both separated parties, the one other remaining teammate, myself and Coach Roxy waited nervously in the gusting, snowy dark with the van.  We used the van’s heater only sparingly, as we were also low on fuel.

Eventually, the first two teammates returned in the company of a tow truck driver!

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All five of us (still with two teammates missing) packed into the tow truck cabin after the driver chained the van to haul, and still in slow, white out conditions, we lumbered along in the frigid van uncomfortably to the next toll booth station, where the driver let us out and went to work on repairing our flat tire. This was before the days of cell phone convenience; we stood out near the road by the toll booth, hoping we would see our missing members going back to find us where we had been!

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It was very late at night (early AM the next day actually) by this point; our 8-10 hour journey had become a nightmarish 18 hours or more already. Police officers at the toll station sent out an alert to try to locate our two separated members. We waited and fretted for another couple of hours; cold, bedraggled, and worried. FINALLY, the whole ordeal shifted, as if miraculously!

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Suddenly, it was as if the test or challenge of the gods had been passed. Within about 15 minutes, our separated pair was returned to us in a police car from where they had been left off at a town up ahead. Our tire repaired and back on the van, we were back on the highway; it was by now about 5 AM. As if to honor our ordeals, in a beautiful relief, suddenly the snow stopped, the dark cloud cover passed, and overhead was a beautiful, sunstruck morning with a full, glorious rainbow to herald the final hour or two of our trip Home!

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So much could have gone “more wrong” even than it did. What if we had been too trusting of either of the two cars of helpful strangers?  What if in the blizzard we would have been hit from the rear by a driver blinded by the snow?

The success of our survival through this Blizzard came partly from our Coach, partly from our individual resolve to see this through, but mostly through the team effort we relied on. Using the buddy system of two at a time departing and the rest staying together, each sub-team had decisions to make and risks to take that would contribute to the survival of the whole.

What I will always remember most about this experience is that team camaraderie, but also the symbolic layering of THE ORDEAL itself. This was a challenge or a not so subtle Test of the highest order, as it felt. If we could get through this intact, without compromising the safety and well-being of any of our members, we could survive anything! And then, after gradually negotiating every step of the way through the ordeal, solving new problems as they arose, the rainbow that blessed our successful emergence from Darkness was palpable. I remember almost crying or maybe I even did to know that we were going to be okay and Spirit was gracefully blessing our trials with nourishing sunlight.

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images from pixabay.com

This story represents a Descent and Re-emergence; a Dark Night of the Soul ordeal. Though it may seem a light travail in comparison to the harsh journeys of refugees today or the fighting of warriors in battles of their own and their nations—or the bitter travails of the injured and the aggrieved who have lost family and loved ones in battles or to incomprehensible, inhuman terrorist attacks!—the story of travail and survival is universal, Archetypal, even potentially Alchemical, regardless even of the ultimate results.

It is in being challenged that we reach deeply, together and alone, into the deep recesses of Universal Spirit, to manage solutions, to band together and resolve the difficulties that confront us. This is the beauty of life, for any species even. We strive to overcome and to transcend our survival challenges; we attain to greater spiritual strength and harmony along the Way!

I welcome YOUR comments and Stories!

Welcome to A New Year of Better Endings — with “The Descent and Re-emergence of Theseus”

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Welcome to a new year at Better Endings for Your Life Path! This year I will modify the process by returning to the principle of Better Endings, which was the focus for Year 1 of this blog. This time I will be pairing this principle with astrologically appropriate monthly archetype characters. The process will be as follows, from week to week each month:

Week One: A popular or fictional story that reflects a Better Ending involving the monthly archetype as a protagonist;

Week Two: Inspirational quotes or positive postulates pertaining to the monthly theme;

Week Three:  A Life Mapping self-discovery ‘better endings’ technique relating to the monthly archetype;

Week Four: A personal story or stories (yours are invited!) applying the monthly archetype in a ‘better ending’ scenario.

Check out the Weekly Topics tab or see below for a list of astrologically appropriate Archetypes. (The Archeypes are arranged in this wheel according to their energetic stages as I: Origination, II: Maintenance, III: Dissolving; as described by Dr. Charles Bebeau).

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Better Endings is a positive personal growth and development principle by which you may either find the lesson, value, or opportunity within any life situation or by which you can constructively “re-vision”  a story or plotline that leads to a different, positive outcome as a result of your imaginative reframing. You can apply this principle to fictional stories and films, but you can also apply this constructive approach to your own life situations and choices.

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For the remainder of November then, let’s get started. As we have but two weeks, for this month I will truncate the process with two different topics per week according to the sequence described above.

November’s persona Archetype, related to Scorpio, is that of the DESCENDER. A well known mythic story that expresses a ‘better ending’ scenario involving a DESCENDER protagonist is that of Theseus and the Minotaur. Allow me here a Better Endings summary of this classic tale:

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Theseus, son of King Aegeus of Athens, sailed to Crete, the domain of King Minos, who kept within a deep labyrinth a monstrous half-man/half-bull Minotaur.  King Minos, whose own son had been assassinated at the Athenian games, demanded of Aegeus that seven men and seven women would be sent every seventh year to be fed to and devoured by the Minotaur, in order to spare Athens itself from Minos’s wrath. Theseus’s quest on the third of these sacrificial voyages was to kill the Minotaur and rescue his compatriots.

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Before entering the labyrinth, from which noone who entered had ever emerged, Theseus encountered King  Minos’s daughter Ariadne, who was immediately attracted to the young hero. Ariadne gifted Theseus with a skein of golden thread she had woven, by which he would be able to find his way out of the labyrinth with his compatriots after defeating the monster, asking only for Theseus to take her with him back to Athens.

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Theseus entered and descended into the depths of the dark, winding labyrinth, unwinding the skein of thread as he proceeded.  At the core in the deepest recess of the maze, Theseus engaged the Minotaur, manos a manos. After a terrible battle, Theseus succeeded in killing and beheading the beast, grasping the Minotaur’s bull head in his hand.

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Theseus rescued the Athenians and led them back to the surface, out of the labyrinthian maze. Not as taken by Ariadne as she was with him, Theseus and his men boarded the boat without her and sailed to Athens, victorious. Yet Theseus erred; he had told his father he would change a black flag on the boat to white had he succeeded.  King Aegeus, seeing the black flag instead, assumed his son had been killed and attacked, but Theseus’ own forces defeated Aegeus, killing him such that on Theseus’s return to the shores of Athens, he was crowned King earlier than would have otherwise occurred, succeeding his father. Theseus ruled as a just and heroic King, remembered by many as the heroic founder of Athens, for many generations.

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all images from pixabay.com

Many archetypal-psychological interpreters of this phase of Theseus’s mythic adventures see in the Labyrinth the deep recesses of the Unconscious. They note that the Minotaur was born to Minos’s wife, Queen Pasiphae, after she had coupled with a Bull sent by Poseidon when Minos vainly requested the Bull in order to claim his own godly pretensions; but he had failed to sacrifice the Bull as Poseidon had demanded. The Minotaur thus was the embarassing consequence of Minos’s indiscretion to the gods. He is the product of human hubris and guilt, lodged deeply in the Unconscious.

Do you have a Minotaur lodged between your own higher nature and archetypal ‘crew’ members of your archetypal cast? Do you have the courage to confront the Beast and rescue your Allies as a strong and responsible Self? Meeting this challenge allows you to reintegrate and strengthen your Self through your descent and re-emergence from the Labyrinth.

Today’s Quote

This passage from Camus, blogged at SoulGatherings by Theresa,  has always been a favorite of mine, since writing a book length report about Camus in eleventh grade. This reminds us to always look more deeply than what we feel on the surface of life.

Soul Gatherings

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In the depth of winter,
I finally learned that
there was in me
an invincible summer.

~ Albert Camus ~
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Renew Your Contract with Life

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This will be the final blog post for this current annual cycle here at Better Endings for Your Life Path, because I officially started this blog on November 15, 2013 and I will be changing the format and topics every year. I will introduce the new round of topics with the next blog post, this next Sunday.

To close out this year of monthly pairings of universal Archetype figures–“the Twelve”—with Life Metaphors that I will be also presenting as chapter titles in my upcoming book, Your Life Path (Life Mapping Tools to help you follow your heart and Live Your Dream, Now!), I invite you to RENEW YOUR CONTRACT with your own Life Path. Life Is… A Golden Opportunity is this month’s metaphor, so renewing your contract with your Life Path is a means of claiming or reclaiming your Life Dream.

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What are you dedicated to in your life? What is your MISSION STATEMENT, which your contract will reaffirm?

CONTRACT (Sample)

Name                   lkw

Birthdate            6/26/1954

Current Age        61

Mission Statement:  My primary mission in this lifetime from this time forward is twofold. The first is my (private) spiritual mission based on my goals to unfold my own awareness and to be of service to all Life. The second is my vocational creative Mission as a writer, to publish and provide inspirational and educational services related to Life Mapping.  In overview, my Mission is to be and to become all that I can be, and in all dimensions of life and in all my relations to be open to give and to receive unconditional love.

Contractual commitment:

               Time frame         semi-retirement in June 2018, to begin FT writing related activity

               Anticipated transition points               Summer teaching  at Chautauqua 2016; sabbatical Spring 2017

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What is YOUR Mission Statement and Contractual commitment to your Self and to All Life?

I invite you to write your own Renewed Contract!

Your Descender and Shadow Archetypes

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The Descender archetype as part of your Total Self System is not quite the same as what Jung referred to as your Shadow. In the system of twelve universal archetypes I am representing with the Life Maps Process, based on the system of archetypal therapy developed by Dr. Charles and Nin Bebeau and Debra Breazzano at the former Avalon Archetype Institute, all twelve archetypes, including Descender, each have both positive or Strength qualities as well as negative Shadow potentials.

Your Descender is associated with Descent, a part of you that is more comfortable in reclusive, reflective spaces or moods.

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This often submerged unconscious persona digs deeply into the lower layers of life experience and may often bring forth pearls or gems in the process.

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Shadow traits of any archetype are repressed or inhibited modalities. They may result from injuries or express inhibited, fearful aspects related to negative life conditions or from traumatic experiences from the past or present.

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The Lone Wolf animus figure I wrote about in my last post (Friday) has a Descender aspect to it. It stands apart and ventures where others may not dare to tread; this is its nature and it has been of great value to me as a writer, yet now I am seeking to reintegrate my Lone Wolf nature back into its wider community of Archetype Allies as it is time to go forth in a more external, service oriented  manner of sharing and communicating widely.

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Embrace your Descender as one who can show you the depths of any situation or relationship. Also acknowledge your Shadow expressions, as these may lead you to recognize sources of discomfort that can lead you to make positive adjustments and change. Explore the depths, then bring up the gold that can illuminate your passage to reach your desired goals.

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Most importantly, I encourage you to LISTEN to your Descender and Shadow forms, whether they appear in your dreams, your emotional attitudes, or in your outer waking world interactions. They bear important messages for you to learn and grow from. They are your Allies, too!

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I welcome your comments or stories!

Integrating the Lone Wolf

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Have you had an animal image that recurs with similar themes in your nightly dreams? What might this archetypal animus/anima image say about you?

Recently I have had a wakeup call which has made me aware of such an Animus-Descender image in my nightly as well as waking dreams. The image is that of a Lone Wolf, and my wake-up call (literally after walking into a glass wall a couple weekends ago!) is showing me that I am ready to and need to make a change in my life in relation to my Lone Wolf nature.

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The animus figure started appearing a couple of months ago. While waiting with a friend to walk an outdoor labyrinth in a remote, forested area, an unusual, large and scrawny but strong looking hybrid wolf-dog went slowly walking by, closely enough to catch my gaze and eye me as it passed through a clearing. It was similar in “image” to the Wolf in the recent INTO THE WOODS portrayal by Johnny Depp, though not at all threatening or lecherous, just very aware and very solitary. A few mornings ago I had another dream image of a Lone Wolf; this time it was a rather scruffy but healthy looking WHITE with orange blotches, hybrid Wolf-dog, just standing about the same distance from the one I saw in the forest, alone.  Then I realized I have an online banking icon gravatar of a lone German Shepherd…definitely something going on here!

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So when I asked for inner guidance after walking into the wall (which impact spread through my forehead over nearly two weeks) about what sort of CHANGE I am being asked to implement, I immediately saw that Lone Wolf image and now I understand intuitively what it’s about.  For the past few years I have embodied a Lone Wolf in certain respects in my life. I have been less social than I used to be; though I am always somewhat an introspective, quiet sort, I used to be somewhat more socially active. This has felt right and necessary while I’ve been working hard on writing and editing a book manuscript. I have needed not to be so influenced by social opinion, so I have stayed more in the background in some circles.  But lately I notice things are changing. I have been receiving unusual invitations to step forward again, to make presentations and join with others in service.

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The change, I realize, is that it is time to reintegrate my Lone Wolf nature back into my combined archetypal Ensemble Cast. I feel s/he is ready to return to this inner community of persona characters in a collaborative, unified sort of way. And with this understanding  has come a technique to help reintegrate such a Descender archetype energy–or, any.

Is there an aspect of your nature manifesting in some particular sort of attitude or traits that you have been expressing more than usual lately? What is its nature and how has it been helping–or possibly hindering– you with some dimension of your life? Describe its nature as an archetypal form, like my Lone Wolf image. My Wolf, e.g., is solitary but strong; it forges forward where others might not dare to tread, but it acts as if it needs no-one, especially no human, to accompany It.

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Focussing next on the positive qualities of this archetypal persona or animus/anima image, what does it need from the REST of your nature that could help to reintegrate it back into the fold of your Total Self System? For me I see my Wolf can use some Nourishing care, so I have envisioned my NOURISHER archetype stepping forth inwardly to offer food, water and compassion to the Wolf, leading it back more closely to my central Self domain. I also imagine other aspects of my nature: Lover, Mystic and Communicator archetype Allies, welcoming the Lone Wolf back into our common, shared field.  Together we can accomplish more than any of us separated off or alone. I need this Wolf energy to step boldly forth for a next contemplated step toward fully realizing our Life Dream, but it will be better tempered in concert with the rest of this assembly.  Communicator can help express what it is the Wolf perceives; Lover and Mystic recognize the need for timing and service to proceed with the next step of our journey.

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images from pixabay.com

I welcome YOUR comments and stories!

Discover Your Descender Archetype

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I started this blog officially on November 15, 2013, so I will complete this yearly round of topics on Nov. 14 of this month; after that I will introduce a whole new process and set of topics for the next year. For November, then, let’s come full circle to focus on the Archetype of the DESCENDER pairing with the metaphor Life Is…A Golden Opportunity.

DESCENDER is one of my primary ensemble cast members as a beloved Archetype Ally. As described by archetypal psychologist Debra Breazzano, Descender is an “Archetype of transformation through death and life/rebirth.” Its Mission is “to honor the descent process and embrace transformation of Self.”

Life is indeed a Golden Opportunity, and your Descender can help you discover its deepest possibilities for you.

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A good way to tune into your Descender perspective is through active imagination that involves an imagistic form of descent itself. Imagine sinking DOWN  into a subterranean chamber or a cave, or even under water. Imagine there a semi-darkened space, with just enough illumination to see by. Find an image of your Descender there; what does he or she look like to you?

Start a conversation. I will model the process here:

L: Hello! I have come to visit with you. What would you like me to call you?

D: I live in your shadows, so you can call me Shade, if you wish.

L:  That reminds me of the shade of a large oak tree.

D: Okay. I can see that.

L: Let’s sit under a shaded tree then to converse. Would that be okay?

{Tree appears, and she: (darker hair, more slim, taller than me) sits down beside me in the grass. The space around us is dim, mainly we have the focus just around us in a luminescent glow.}

D: Why are you here? What would you ask of me?

L: I guess I’d like to ask about what happened with you yesterrday, when you cried out in frustration while I was fighting a cold and with my body aching generally, that we/I had “hit a wall”?

D: That was a waking dream when you walked into that glass wall at the seminar–at the turnaround door at the hotel– Nothing is an accident, remember?

(I did hit my forehead two weekends ago at a hotel. I’m still bruised across the forehead.)

L: Are you saying you led me to bump into into that door?

D: No, that wasn’t me. But it did wake me up! Everything takes SO LONG lately with you, with us, now in this lifetime.  I am tired of waiting — waiting — waiting, and for what? Will it ever really matter? What difference does all of this work make? Is there anything around the bend or just more of the same, always?

L: Those are worthwhile questions and I am glad you are bringing them forth, Shade. On one hand I figure patience is a big lesson here. But maybe there is a way to step things up, too.

D: Maybe talk to our Communicator about that.

L: OK, I will. I just want you to know I do care about your feelings. Thanks for expressing them and let’s stay connected!

 

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Archetype Dialogue can help you understand your own motivations and inner conflicts. Tune in any time!

I welcome your insights and stories of your own experiences.